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Essay: A Woman Of Valor.(Sheena the Queen of the Jungle)

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| May 01, 2004 | Chabon, Michael | COPYRIGHT 2004 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

A Woman Of Valor

Strong, vigilant, resourceful, and submissive to no one -- the author's ideal woman first appeared to him in a comic book.

Sheena the Queen of the Jungle popped up: tough and strong but, more importantly, beholden to no one. Sheena, the Valkyrie, and Red Sonja were unencumbered by any glasses-wearing, steno-pad-carrying secret identity. There was no unwitting, patronizing lunk of a boyfriend or superdate, no repressive cover story to get tangled in.2 They did not shy from a fight -- on the contrary, they relished conflict. And they demanded to be treated as equals, to whatever extent their mostly male writers and artists were willing to grant. As fond as I may be of this type of character, however, I'm obliged to concede that the Warrior Woman is, in its way, as sexist a cliche as Shrinking Violet (tininess), or Phantom Girl (insubstantiality), or Light Lass (rendering any substance to the condition of fluff). This is where Big Barda comes in. 8. Jack Kirby (born Jacob Kurtzberg in New York City in 1917) was a bit of a madman, a cultural magpie, self-taught, movie-crazy. He grew up scrapping on the Lower East Side. He had seen tough service under Patton. The harshness of the world and the wonder of the movies mingled freely in the comics that he drew. As he got older, his vision turned darker and darker; his sense of the indifference of a hostile universe to human fortune increased. More and more in his work at Marvel during the late '60s, vast primal forces of Good and Evil fought a perpetual war to whose combatants our earth was at best a bystander, ...

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