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Hot pursuit; In Cormac McCarthy's riveting new novel, a modern cowboy goes on the run.(No Country for Old Men)(Brief Article)(Book Review)

Vogue

| August 01, 2005 | Antrim, Taylor | COPYRIGHT 2005 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: Taylor Antrim

Cormac McCarthy's celebrated trilogy, All the Pretty Horses, The Crossing, and Cities of the Plain, presented an American frontier of restless mid-century cowboys, dark-eyed senoritas, and horses loyal as family. Just in time for the last days of summer, his new novel returns to the same starkly beautiful Texas-Mexico borderland as those best-selling books, but No Country for Old Men (Knopf) is set in 1980, across an unforgiving landscape of roadside motels, drug runners, and hit men. And while McCarthy's sensitivity hasn't dulled-the novel can be thoughtful and tender-he has given this story a very dark heart.

No Country for Old Men is composed chiefly of dialogue, with vivid descriptions scattered around, lending the novel a brisk, breathless pace. While out hunting antelope, Llewelyn Moss, a 36-year-old Vietnam vet, discovers a grim scene of bodies and ...

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