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The three voices of contemporary poetry.
New Criterion
|
April 01, 2004 |
Martin, Charles |
COPYRIGHT 2004 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright
We think of ourselves as having voices, but these days our poets are voices. That is to say, the word "voice" has come to be synonymous with the word "poet" in all of those venues in which we discuss poetry, ranging from critical essays and reviews to the blurbs on the backs of the poets' books. If I had entitled my essay "New Voices in American Poetry," you would have expected to read about some new young poets, emerging, even as nations do, from the backdrop of their obscurity. A recent blurb describes such a recently emerged poet as one of the "best new voices in American poetry." This identification of poetry with voice is in fact so much of a commonplace as to be ...
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Source: HighBeam Research, The three voices of contemporary poetry.