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Classical music meets the martial arts.(Knight Ridder Newspapers)

Knight Ridder/Tribune News Service

| September 01, 2004 | Stearns, David Patrick | COPYRIGHT 2004 Knight-Ridder/Tribune News Service. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: David Patrick Stearns

With its wide-screen battle scenes, balletically choreographed martial arts, and long stretches of dialogue-free visuals, the new Zhang Yimou film, "Hero," requires high-caliber music that captures the film's ancient Chinese milieu and shrewdly fulfills the singular needs of a film that's out to blur genres.

In other words, this is an assignment for Tan Dun, one of the foremost Chinese-born composers and a widely heard contemporary figure. And whenever a so-called classical composer enters a medium as popular as film, you tend to ask why and how the two work together.

A less-engaged composer might have fashioned a ...

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