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1791 was Mozart's final year, the year that saw the creation of two of his most heavenly masterpieces, Die Zauberflote and La Clemenza di Tito. Given the remarkable depth and breadth of Mozart's last burst of glory, the question arises: how did he manage to produce two operas with the wildly divergent subjects, styles and situations of Die Zauberflote and La Clemenza di Tito?
He didn't. The truth is, beyond their obvious differences--one is a comic German singspiel, the other a sober, Italian opera seria--these two final works are of a piece.
La Clemenza di Tito is one of Mozart's three major opere serie; Lucio Silla, from his earlier years, and ...