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Byline: Dodie Kazanjian
Tine Lundsfryd's debut Manhattan solo show of paintings, at Lori Bookstein Fine Art this month, makes a strong case for pure abstraction. Her large, rhythmic paintings are based on a grid of tightly and equally spaced vertical, horizontal, and diagonal lines. Color moves in and out, while triangles, crosses, and other geometric shapes crowd into the painting and force your eyes to roam all over the canvas. The beauty of these intensely handmade pictures lies in their clarity and refinement. They are simon-pure-the dream of every nonrepresentational painter.
Her inspirations come from many sources, including the folk-art quilts from the Gee's Bend show at the Whitney ...