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Each of Berlioz's three operas--the exuberant, impetuous Benvenuto Cellini, embarked on in 1834 when he was in his early thirties; the huge, wonderful Les Troyens twenty years later; and Beatrice et Benedict, that final "caprice, written with the point of a needle" when he was approaching sixty--has its special, cherished character. During this bicentenary of Berlioz's birth, they are being performed (even in France) more widely than ever before. In February 2003, the Metropolitan Opera presented a new production, its second, of Les Troyens; and on December 4, during Berlioz's birthday week, it presents its first production of Benvenuto Cellini. Eve Queler conducted a ...