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I've given up trying to convince skeptics that I fell hard for Schoenberg's Moses und Aron the very first time I heard it, at age eighteen. Not possible, they say. Even if someone actually does claim to enjoy this fabled, thorny score--the first opera to be composed according to strict twelve-tone procedures, and still a jumble of dissonant cacophony to many tender souls--it would surely take constant exposure to the music, numerous performances and repeated playings of the available recordings before anyone could claim aural enlightenment, let alone make an outright declaration of love.
Well, perhaps. No imposing work of art reveals all its secrets at once, ...