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Once in a lifetime: although Fromental Halevy wrote thirty-two stage works, La Juive was the only one destined to survive.

Opera News

| December 01, 2003 | Baker, David J. | COPYRIGHT 2003 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Profile composers are not always the most enduring: witness the case of Fromental Halevy. La Juive, far and away Halevy's most successful work, returns to the Met repertory this season after a remarkable absence of sixty-seven years. There was a time when La Juive seemed all but given up for lost, but in recent years it has become progressively more familiar, with productions throughout the world. Yet the composer himself remains a shadowy figure. At times he is confused with his nephew Ludovic Halevy, librettist for Jacques Offenbach and Georges Bizet. Even during his lifetime, there was some question of whether he might be able to go the distance: La Juive represented ...

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