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March 4, 2003: on Manhattan's Lower East Side, the angel Orensanz Foundation for the Arts, New York City's oldest synagogue, now houses a studio for the sculptor after whom it is named oil the upper level, a shell of the original synagogue below. The space, used for performances, parties and film shoots, as well as religious services, is empty, save for a small table, tenor Neil Shicoff, director Sidney Lumet and his notes, and a boom box, blasting the edited soundtrack of Shicoff singing the aria "Rachel, quand du Seigneur," the most celebrated excerpt from Fromental Halevy's La Juive. It's the end of" a long rehearsal day. Shicoff goes through the paces that Lumet has ...