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Karita Mattila and I are in the Theatre du Chatelet's sparsely furnished star dressing room, the Finnish soprano's base of operations for her Paris run as Jenufa. Last night, Mattila brought Janacek's unhappy village girl to life, delivering a seemingly artless characterization remarkable for its vulnerability and near-wildness. Today, the disciplined intensity of Mattila's interview posture is striking; she sits with her back to the window, her handsome, strong hands clasped in front of her as she leans forward at a forty-five-degree angle, like a catcher waiting for the first pitch.
OPERA NEWS: It was a magnificent performance of Jenufa last night.
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