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February on-line edition of Opera News.(Opera Review)
A new Orfeo; recitals by Peckova, Lott, Kowalski and Anonymous ...
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- From around the world: Tokyo. (International).(Opera Review)
- Magazine article from: Opera News Smith, Ken February 1, 2003 700+ words
...of birth and rebirth. Tans music may sound impulsive, but Tea obviously has been brewing for a long time. FEBRUARY ON-LINE EDITION OF OPERA NEWS NORTH AMERICA: Chicago revives Walkure for Eaglen, Voigt, Morris; Canadian Opera Company presents Girard...
- Detroit.(North America ... Ewa Podles is conspicuous in Un Ballo in...
- Magazine article from: Opera News Koopman, John January 1, 2004 700+ words
...appear on a balcony (think Monterone), mutely imprecating the heavens at the unjust murder of the King. JANUARY ON-LINE EDITION OF OPERA NEWS NORTH AMERICA: Eaglen, Heppner, Pape, Levine reunite for Met Tristan; a dispiriting Barbiere revival at...
- 'Butterfly' proves powerful.(FLORIDA WEST)(Opera review)
- Newspaper article from: Sarasota Herald Tribune January 30, 2007 700+ words
...Gordon's set, while somewhat fussy in the details, is flexible and handsome, beautifully illuminated by Ken Yunker. OPERA REVIEW Madama Butterfly By the Sarasota Opera Company. Reviewed Jan. 27 at the Sarasota Opera House. Through March 3. $22...
- Opera's 'Halka' unveils a treasure.(FLORIDA WEST)(Theater review)(Opera review)
- Newspaper article from: Sarasota Herald Tribune February 6, 2007 700+ words
...Yunker. The orchestra, truly not an afterthought although listed last, was excellent under the direction of David Neely. OPERA REVIEW Halka By the Sarasota Opera. Reviewed Feb. 3 at the Sarasota Opera House, 61 N. Pineapple Ave. Through March 3. Tickets...
- Cendrillon.(opera review)(Opera review)
- Magazine article from: Daily Variety Myers, Eric October 30, 2007 700+ words
(New York State Theater; 2,779 seats; $130 top) A New York City Opera presentation, originally created for L'Opera National du Rhin and co-produced with Baeishces Staatstheater Karlsruhe, of an opera in two acts by Jules Massenet. Libretto by Henri Cain, after the fairy tale by Charles Perrault.
- Benvenuto Cellini.(opera review)(Opera Review)
- Magazine article from: Daily Variety Isherwood, Charles December 31, 2003 700+ words
(Metropolitan Opera: 3,800 seats: $275 top) A Metropolitan Opera presentation of the opera in two acts with music by Hector Berlioz, libretto by Leon de Warily and August Barbier, after Cellini's "Autobiography." Conductor, James Levine. Production, Andrei Serban Choreography, Nikolaus Wolcz Sets,
- Sylvia McNair.(opera review)(Opera Review)
- Magazine article from: Daily Variety Daniels, Robert L. February 13, 2004 700+ words
(Oak Room, Algonquin Hotel; 85 capacity; $50.) Presented inhouse. Musical director, Ted Taylor. Directed, written by Barry Kleinbort. Lighting and sound, Tim Flannery. Opened Feb, 3, 2004. Reviewed Feb. 11. After two decades on operatic and concert stages, soprano Sylvia McNair made it official in
- La Juive.(opera review)(Opera Review)
- Magazine article from: Variety Isherwood, Charles December 22, 2003 700+ words
(METROPOLITAN OPERA; 3,800 SEATS; $275 TOP) NEW YORK A Metropolitan Opera presentation of the opera in five acts (two intermissions) with music by Fromental Halevy and libretto hy Eugene Scribe. Conductor, Marcello Viotti. Production, Gunter Kramer. Sets, Gottfried Pilz; costumes, Isabel Ines
- Betty Buckley.(opera review)(Opera Review)
- Magazine article from: Daily Variety Daniels, Robert L. March 5, 2004 700+ words
(Cafe Carlyle: 195 capacity; $65.) Presented inhouse. Musicians: Kenny Werner, Tony Marino, Todd Reynolds. Opened, reviewed March 2, 2004. Following two seasons at Feinstein's at the Regency, Betty Buckley has moved her act l0 blocks uptown to the cushy confines of the Care Carlyle. In her new
- Sophie's Choice. (Opera Review).(Royal Opera House presentation )(Opera Review)
- Magazine article from: Daily Variety Wolf, Matt December 31, 2002 700+ words
(Royal Opera House, London; 2,200 seats; [pounds sterling]50 ($80) top) A Royal Opera House presentation of an opera in four acts with music and libretto by Nicholas Maw, based on the novel by William Styron. Directed by Trevor Nunn. Sets and costumes, Rob Howell; lighting, Mark Henderson;