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<a href="http://www.accessmylibrary.com/coms2/summary_0286-7925914_ITM" title="Facts and information about Larissa explains it all: Mezzo Larissa Diadkova has been putting her distinctive imprint on Russian and Italian roles, large and small. Next month she makes her long-anticipated debut at Lyric Opera of Chicago, as Ulrica in Un Ballo in Maschera. David Shengold gets the low-down .(Larissa Diadkova)(Interview)(Cover Story)">Larissa explains it all: Mezzo Larissa Diadkova has been putting her distinctive imprint on Russian and Italian roles, large and small. Next month she makes her long-anticipated debut at Lyric Opera of Chicago, as Ulrica in Un Ballo in Maschera. David Shengold gets the low-down .(Larissa Diadkova)(Interview)(Cover Story)</a>
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Larissa explains it all: Mezzo Larissa Diadkova has been putting her distinctive imprint on Russian and Italian roles, large and small. Next month she makes her long-anticipated debut at Lyric Opera of Chicago, as Ulrica in Un Ballo in Maschera. David Shengold gets the low-down .(Larissa Diadkova)(Interview)(Cover Story)
Suddenly, mezzo Larissa Diadkova is everywhere: chortling through Mistress Quickly in Claudio Abbado's Falstaff at Salzburg and on disc, helping Renee Fleming introduce Rusalka to Paris last June, the only principal in EMI's nominally starry new Trovatore mustering the traditional (and necessary) weight of voice for her part, delivering the big Verdi roles in London, Verona and Vienna, and concertizing with Riccardo Muti, Mstislav Rostropovich and Yuri Temirkanov.
Born in Zelenodolsk, a small city of approximately 80,000, deep in central Russia, Diadkova studied in the nearby, larger city of Kazan before entering the Leningrad Conservatory, one of the main draft ...
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