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New York City Opera opened its fall 2002 season with a gripping new production of Puccini's Il Trittico, culminating in an exuberant, inventive Gianni Schicchi (seen Sept. 10). The company's star baritone, Mark Delavan, portrayed both Schicchi and Michele in Il Tabarro. An overwhelming presence both physically and vocally, Delavan seemed to melt into and out of the shadows as the brutal, cuckolded Michele, his voice as dark and rolling as the ink-black waters of the Seine. While James Robinson's production was fairly conventional, Tabarro was strongly played beneath a low proscenium that evoked the crushing, Zola-esque sense of determinism that hangs over the action. ...