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Annette Betanski A Birthday Hansel.(Sound Recording Review)

Opera News

| December 01, 2002 | Malafronte, Judith | COPYRIGHT 2002 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

[] "A BIRTHDAY HANSEL" Songs by Caplet, de Falla, Tournier, Saint-Saens, Spohr, Britten, Donizetti, Ravel, Reissiger, Rubbra. Miron, harp; et al. Texts and translations. Chandos 9843

What might seem, at first glance, an odd assortment of pieces unfolds as a skillfully assembled recital, flowing nicely and offering plenty of variety, as well as two world-premiere recordings. The harp, ably played by Susan Miron, unifies the selections, which range from nineteenth-century songs by Donizetti and his German contemporary Carl Reissiger, in which the harp evokes a genteel and intimate salon, to late-twentieth-century song cycles by Benjamin Britten and Edmund Rubbra, where the harp represents (as Steven Ledbetter points out in his excellent liner notes) the bardic tradition.

Canadian soprano Annette Betanski has a real feel for the contours and declamation of twentieth-century English music. Rubbra's 1962 cycle The Jade Mountain is an attractive cycle of five settings of short, T'ang dynasty poems in English translation. Betansky and Miron give the work a first-rate treatment, especially the wonderfully restrained "On Hearing Her Play the Harp."

Britten's A ...

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