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A team with a view: William Bolcom and Arnold Weinstein build bridges from cabaret to grand opera.(musical collaboration between composer, librettist )

Opera News

| December 01, 2002 | Feingold, Michael | COPYRIGHT 2002 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Like many good American stories, this one starts in Paris, where the young Seattle-born composer William Bolcom was studying composition at the Conservatoire with Darius Milhaud. One day, the eminent French composer told Bolcom that he had received an interesting libretto from a young American poet. "But it would be more suitable for you," Milhaud said, handing him the script in its transit-battered cover. Bolcom looked at the work's peculiar tide: Dynamite Tonight. He read the first page. "Then and there," he recalls, "I knew I wanted to set it."

That was in 1960. More than four decades later, Bolcom and Dynamite Tonight's librettist, Arnold Weinstein, are still ...

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