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The Metropolitan Opera turned a brave new corner on October 8 with the first performance of Julie Taymor's company-debut production of Mozart's Die Zauberflote. Not since the late John Dexter invaded the house thirty-one years ago had the Met been given such a jolting but enlivening theatrical shake-up. Central to the new bravery is that, while Dexter at his best stripped the stage down to a powerful economy of decor and action, Taymor's direction and design (or codesign) of films, musical plays, Shakespeare, other classic drama and operas has consistently proclaimed that more is exuberantly more. Hers is a theater where walls dance and puppeteered birds, beasts and people ...