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A. Scarlatti: La Santissima Trinita.(Sound Recording Review)

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| December 01, 2004 | Lessner, Joanne Sydney | COPYRIGHT 2004 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Invernizzi, Gens. Genaux; Agnew, Abbondanza; Ensemble Europa Galante, Biondi. Texts and translations. Virgin Classics 45666

Those who relish philosophical explorations in works of art will enjoy this early specimen. Alessandro Scarlatti's oratorio La Santissima Trinita breathes life into the perpetual battle between Faith and Faithlessness, personified by a soprano and a tenor, respectively. At the center of the conflict is the acceptance of the mystery of the Holy Trinity--how can three also be one? With the aid of Theology (a mezzo), Time (a bass) and Divine Love (a second soprano), Faith maintains the upper hand, although Faithlessness's half-hearted concession doesn't hold out much hope for an end to the struggle. Scarlatti was known for his intellectual streak, but his genius lies in his ability to flesh out what could easily be a tiresome, undramatic allegorical debate with sparkling, varied music. Indeed, the well of Scarlatti's invention yields bucketfuls of alternately joyful, thoughtful, ardent and tender arias, recitatives and ariosos; he must have known this would be a hard sell otherwise. ...

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