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Music of champions: Hendel lovers have always regarded Rodelinda as one of the composer's greatest achievements. Now, met audiences get to rediscover this masterpiece in a new production with "A-list" credits.(Critical Essay)

Opera News

| December 01, 2004 | Porter, Andrew | COPYRIGHT 2004 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Handel operas are no rarity today: they figure regularly in the repertory of companies great and small. It is strange to think that for nearly two centuries the great works went unheard--indeed, were almost unknown! The "Handel Opera Revival" began in Gottingen, in 1920, and it began with Rodelinda. Oskar Hagen perceived that a score once deemed a string of excellent da capo arias, one after another, was in fact a music drama that could engage a modern audience. His enterprise was rewarded: within six years, Rodelinda had been taken up by twenty-five other German-language companies. Hagen's version of Giulio Cesare, two years later, was even more successful; it was taken ...

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