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Back in the early 1930s, when John Christie was pondering adding a small opera house to his Sussex country estate, his heart was set on the performance of Wagner. He had it in mind to develop at Glyndebourne the unlikely proposition of an English Bayreuth. But on the advice of his creative team--largely culled from those fleeing newly-Nazified Germany--and of his wife, the down-to-earth soubrette Audrey Mildmay, he was persuaded to open with something smaller and simpler instead. The initial Le Nozze di Figaro, in 1934, set Glyndebourne's future course.
The building of a new, larger theater in 1994, however, opened up a number of interesting possibilities to the ...