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The Kirov's three-week, six-work visit to New York last July, in connection with St. Petersburg's 300th anniversary, brought enthusiastic though hardly overflow crowds to the Met. So many Russian immigrants attended that, following a few disrupted evenings, patrons were warned in two languages to turn off cell phones. The offerings were five staged operas (Mussorgsky's Khovanshchina, Prnkofiev's Semyon Kotko, Verdi's Macbeth, Tchaikovsky's Eugene Onegin and Rimsky-Korsakov's The Legend of the Invisible City of Kitezh) and a concert reading of one other (Rubinstein's The Demon). In Russian fare, at least, the company sounded in fine shape: musical rewards were rich, ...