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Elizabeth Futral "Great Operatic Arias".(Sound Recording Review)

Opera News

| October 01, 2003 | Malafronte, Judith | COPYRIGHT 2003 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

by Handel Donizetti, Rossini, Mozart, Bellini, Berlioz, Gounod, Delibes, Floyd, Offenbach. Philharmonia Orchestra, White. English texts. Chandos CHAN 3096

It must be pretty difficult these days to pitch a recording of "arias I like" without some kind of gimmick. While the device employed here--pieces sung in English translation--is not without merit, the helter-skelter assembly of this recital is unsatisfying. (In contrast, Patrice Michaels's recent Cedille CD, Divas of Mozart's Day, is a great example of how to organize far-flung material.) Arias, a couple of ensembles, bel canto, French stuff and Mozart are presented, with Handel opening and closing the disc. The ever-popular "Tornami a vagheggiar" (Come, take me in your arms), from Handel's Alcina, begins brightly, and Semele's "O sleep, why dost thou leave me?" works well as a peaceful encore after the exuberant waltz from Offenbach's Robinson Crusoe.

A committed and generous performer, soprano Elizabeth Futral can be counted on to inhabit each character fully and to detail the language with specificity and richness. Unfortunately ...

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