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This month at Detroit's Michigan Opera Theatre, Steven Mercurio leads a revival of Zack Brown's production of Un Ballo in Maschera.(On The Beat)(Brief Article)

Opera News

| October 01, 2003 | Kellow, Brian | COPYRIGHT 2003 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

This month at Detroit's Michigan Opera Theatre, STEVEN MERCURIO leads a revival of ZACK BROWN's production of Un Ballo in Maschera. While many conductors are quick to point out the Herculean challenges of whatever score they're working on at the moment, Mercurio's take on Ballo is refreshing: "I don't think it's hard at all," he says. "The real challenge is the importance of the tenor as primary candidate. But once you have done four or five of the middle Verdi operas, I don't think it's that difficult, because the vocabulary of Trovatore, Rigoletto, Ballo is so much the same.

"Rigoletto is wonderfully inventive, but I don't think there's anything so inventive in Ballo. I think ...

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