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Maggie Teyte "A Vocal Portrait".(Sound Recording Review)

Opera News

| September 01, 2003 | Freeman, John M. | COPYRIGHT 2003 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

* Songs and arias by Berlioz, Bizet, Chausson, Debussy, Duparc, Elgar, Faure, Fontenailles, Gretry, Hahn, Liszt, Martini, Messager, Offenbach, Paladilhe, Pergolesi, Purcell, Quilter, Ravel, Romberg, Russell, Szulc, Tchaikovsky, Thomas. Recorded 1932-48. No texts. Naxos 8.10757/58

Maggie Teyte (1888-1976) lived to enjoy her reputation as a cult figure, especially among record collectors. Though she claimed never to have owned a phonograph, she was generous (if sporadically so) with her time in the recording studio. In 1936, she and pianist Alfred Cortot made a Debussy song album, quickly accepted as the standard for this repertory. In 1948, with orchestra, she committed to disc Ravel's Sheherazade. Both projects, along with plentiful other souvenirs of her art (most in French, except for seven English selections) are preserved in Naxos's new two-CD album. Ward Marston's careful, authoritative sonic restoration reintroduces this unique, distinctive singer in proper style.

English-born, she studied for two years with Jean de Reszke in Paris, where she coached with Debussy and made her Opera Comique debut at nineteen. Like Mary Garden, she retained a touch of the exotic in her otherwise exemplary French diction, giving every syllable its weight and proper color. Calling cards of her recital career, such as Berlioz's "Absence" (from Les Nuits d'Ete) and Debussy's "La chevelure" (from Chansons de Bilitis), rub shoulders here with the less familiar. Operetta tunes from Offenbach's La Perichole and Messager's Veronique are like icing on the cake. Too bad ...

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