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Blasts from the past: many stars from the early days of recording weren't "correct" singers by modern standards, but William R. Dunlop still finds them exhilarating listening.

Opera News

| October 01, 2002 | Dunlop, William R. | COPYRIGHT 2002 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

OF COURSE, HE COULDN'T DO THAT TODAY ...

... was the unanimous verdict of the three experts, engaged some years ago in a Saturday-afternoon Met broadcast intermission feature, after listening to Fernando de Lucia's recording of the Duke of Mantua's "Questa o quella" from about 1917-18. To a man, they sounded shocked and saddened.

One could see--or rather hear--why. De Lucia's is a wildly individual performance, eccentric in phrasing, marked by an airy disregard for note values, full of unwritten pauses and interposed ornaments. One had to concur with the experts: it was clear that no singer would be allowed to behave so extravagantly today--or for many ...

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