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OF COURSE, HE COULDN'T DO THAT TODAY ...
... was the unanimous verdict of the three experts, engaged some years ago in a Saturday-afternoon Met broadcast intermission feature, after listening to Fernando de Lucia's recording of the Duke of Mantua's "Questa o quella" from about 1917-18. To a man, they sounded shocked and saddened.
One could see--or rather hear--why. De Lucia's is a wildly individual performance, eccentric in phrasing, marked by an airy disregard for note values, full of unwritten pauses and interposed ornaments. One had to concur with the experts: it was clear that no singer would be allowed to behave so extravagantly today--or for many ...