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Maria Bayo has managed to be polyglot in her musical choices, but her English isn't all she'd like it be--which leaves a choice of Spanish, German, Italian or French for an interview. "The next time you interview me," promises the Spanish soprano, "I will speak very good English."
With a lovely, small, silvery voice, Bayo has covered all the bases from Baroque to Romantic, Zerlina to zarzuela--even Lucia di Lammermoor and Amina in La Sonnambula. Her breakthrough came when she won the International Belvedere Competition in Vienna in 1988. Since then, she has gone on to a significant international career, particularly in Europe. Heard in Paris, London and Vienna, Hamburg and Berlin, she's also a regular guest in her "home houses" in Spain, where she sang Liu to widespread acclaim in the Turandot that opened Barcelona's rebuilt Gran Teatre del Liceu in 1999. After several appearances at the Salzburg Festival, she's following Gerard Mortier this year to his brand-new Ruhr-Triennale festival, where she makes a role debut as Donna Anna in the new Don Giovanni.
The portals of Baroque opera opened for Bayo with a Rene Jacobs/Herbert Wernicke production of Cavalli's La Calisto ...