AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
It's 7.05 on a mildly sticky evening in early June as the well-dressed, well-bronzed clusters of Los Angeles operagoers chat their way up North Grand Avenue toward the Dorothy Chandler Pavilion. Few heads turn as a lean, neatly-turned-out man cuts against the pedestrian traffic on his way to the artists' entrance, toting some light luggage. It is Kent Nagano, Los Angeles Opera's new principal conductor, who will lead the evening's performance of Turandot. I get a discreet nudge from the lady on my left. "Less than twenty-five minutes to curtain, and he's not breaking a sweat," she murmurs as Nagano zips by. "Now that's a cool dude."
Nagano is a singular ...