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An operatic baggy monster.

New Criterion

| April 01, 2002 | Smith, Patrick J. | COPYRIGHT 2002 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Epic opera is a very rare breed in a large kennel, and its successes are even rarer in number. "Grand Opera; that nineteenth-century invention that updated (without even knowing it) the spectacle opera of the seventeenth century, is not epic opera, because for all its vocal and scenic extravagance it is still confined to the operatic stage. Epic opera, however, seeks to travel beyond, and it is not surprising that most operas of this limited genre are based on epic literary works. Even the overreaching failures, like August Bungert's operatic trilogy on the Homeric poems, are connected to literature, as are the most celebrated epics of Berlioz (Virgil) and Wagner.

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