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American pop song deserves double duty.(Knight Ridder Newspapers)

Knight Ridder/Tribune News Service

| May 01, 2002 | Matthews, Charles | COPYRIGHT 2002 Knight-Ridder/Tribune News Service. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

"Stardust Melody: The Life and Music of Hoagy Carmichael" by Richard M. Sudhalter (Oxford, 432 pp., $35)

"Stardust Melodies: A Biography of Twelve of America's Most Popular Songs" by Will Friedwald (Pantheon, 397 pp., $27.50)

___

Two new books, good ones, with almost the same title: "Stardust Melody," a biography of Hoagy Carmichael, and "Stardust Melodies," a look at a dozen classic American popular songs. Don't publishers read each other's catalogs?

Both titles allude to Mitchell Parish's lyrics to Carmichael's "Star Dust" _ a song about the way music takes hold of memory. Both books put Carmichael squarely at the center of the great flowering of American popular song that took place from 1920 to 1950.

There were composers of the period who were more skilled (George Gershwin, Jerome Kern, Richard Rodgers, Duke Ellington), more prolific (Irving Berlin), more sophisticated (Cole Porter). But Carmichael songs like "Star Dust," "Georgia on My Mind," "Skylark" and "The Nearness of You" stand up to their best.

At an age when other composers were doing apprenticeships on Broadway or Tin Pan Alley, Carmichael was a jazz-mad Kappa Sig at Indiana University, a ...

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Source: HighBeam Research, American pop song deserves double duty.(Knight Ridder Newspapers)

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