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Letter from Boston.(Boston Early Music Festival.)

Opera News

| October 01, 2001 | MALAFRONTE, JUDITH | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

What did we tell you about vocalizing in the dressing room? It's too crowded in here, so cut it out!" Four sopranos glare at a fifth, who retreats to the hallway. Trying to find a place to warm up is virtually impossible at Boston's Copley Theater; every backstage nook is already crammed with singers, dancers, instrument cases, costume racks, props, makeup people, dressers and production assistants for performances of Lully's Thesee, at the 2001 Boston Early Music Festival.

When festival director Kathleen Fay learned that their usual home, the Emerson Majestic Theatre, was closing to undergo renovations, she turned to the Copley, the only other affordable (that ...

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