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"DVORAK SONGS".(Review)
Dagmar Peckova [] "DVORAK SONGS" With Gage, piano. Texts and translations. Supraphon SU 3437-2 231 (Qualiton, dist.)
Perhaps because of linguistic barriers, Dvorak's straightforward, melodious songs have missed the popularity of his purely instrumental works among non-Czech listeners. The brief In Folk Tone cycle would make a nice contrasting group in any program; the occasionally Brahmsian Love Songs are substantial and varied. The once ubiquitous "Songs My Mother Taught Me" pops up in the Gypsy Songs, whose Gypsies are more suavely garbed than Brahms's more familiar, earthier tribe. The Biblical Songs get the occasional airing in English or German translation but communicate more directly and authentically in their original Czech rhythms. (I don't mean just the linguistic inflections but the actual musical rhythms, whose chattering lilt is simplified and "flattened" to accommodate the Germanic texts.)
Czech mezzo Dagmar Peckova, who is slowly amassing a varied discography for Supraphon, is that rarity -- a well-trained singer with a unique sound. Her voice, like many Slavic ones, has a naturally dark vowel quality and a forward, rather adenoidal resonance. Peckova balances these subtle antagonisms to produce a distinctive, plangent timbre, capable of enveloping ...
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