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ZOLA'S MASTERPIECE OF NATURALISM, THERESE RAQUIN, HAS A ROCKY HISTORY OF THEATRICAL ADAPTATIONS. WILL THE NEW OPERA BY TOBIAS PICKER AND GENE SCHEER, BOWING IN DALLAS IN NOVEMBER, BEAT THE ODDS?
In a golden glade along the Hudson, Richard Bernstein is singing his bass-baritone heart out. His voice bounces off trees and hillsides. Woodland creatures are probably scampering for cover, Snow White-style. With Howard Watkins at the piano, and under the approving gaze of composer Tobias Picker, Bernstein thunders his intense desire to murder his best friend and bed his wife.
They're working on Therese Raquin, Picker's new opera, opening at Dallas Opera on ...