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"FERME TES YEUX".(Review)

Opera News

| August 01, 2001 | JELLINEK, GEORGE | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

William Matteuzzi

[] "FERME TES YEUX" Arias by Rossini, Donizetti, Carafa, Pacini, Auber, Adam, Offenbach. With Scano, Cullagh, Shkoda; Ford, R. Wood; Academy of St. Martin in the Fields, Parry Texts and translations. Opera Rara ORR 216 (Harmonia Mundi, dist.)

William Matteuzzi, one of the participants on Opera Rara's slightly tongue-in-cheek 1998 program of Rossini rarities, Rossini -- Three Tenors, is the featured artist in a new program of rarely heard opera selections. He offers solos by Auber, Adam and Offenbach; in the duets and ensembles, he is ably assisted by tenor Bruce Ford, sopranos Elisabetta Scano and Majella Cullagh, mezzo-soprano Enkelejda Shkoda and baritone Roland Wood, all featured in previous Opera Rara releases.

The program starts promisingly with a delicious scene from Rossini's Le Comte Ory, in which the rascally count, disguised as a nun, tries to penetrate the bedchamber of the virtuous Comtesse Addle. Matteuzzi not only carries out the farcical situation skillfully, he even manages to scale down his light tenor to a soprano-like timbre. He displays his coloratura mettle in an entertaining duet with Shkoda from Il Viaggio a Reims, followed by a beautifully sustained and long-held legato in Auber's La Muette de Portici. In Carafa's Gabriella di ...

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