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IT'S TIME FOR AMERICAN OPERA TO CLOSE THE BOOKS.
For more than two decades, American composers and the opera companies that commission them have been having an ongoing affair with novelists. In addition to nineteenth-century literary lions such as Emily Bronte, Thomas Hardy and Henry James, writers closer to our own time -- John Steinbeck, Robert Penn Warren and James Agee among them -- have found their work strutting its hour on the lyric stage. Even James M. Cain's pulp fiction has been set to music, by Stephen Paulus, in The Postman Always Rings Twice. This steamy tale of infidelity, blackmail, fraud and murder, better remembered as a 1946 screen vehicle for ...