AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.
Create a link to this page
Copy and paste this link tag into your Web page or blog:
STEVEN BLIER wonders if opera casting has become a triumph of the visual over the vocal.
A regional opera company is auditioning singers for a new production of La Traviata. At the end of the day, eight-by-ten glossies litter the long table that separates the auditioners from the gaggle of young tenors eager to land a job singing Alfredo -- or even the comprimario part of Gastone. The music director points to a photo. "This guy has the right voice for Alfredo." The stage director points to a photo of a better-looking young guy. "Yeah. But this is what Alfredo should look like."
While many fans would like to think that opera was created primarily as a ...