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As long as Jurgen Flimm limited himself to directing plays, the German press loved him. Ever since he turned to opera, critics from more serious newspapers and magazines have declared him one of the most overrated directors of our time. Flimm generally comes up with a meaningful intellectual concept -- then, detractors agree, he fails to bring it to the stage. Self-consciously arty sets, updating and gimmicky blocking don't help matters.
Otello at Berlin's Staatsoper (seen March 18) gave a perfect example of the director's faults. George Tsypin designed a semi-circular space that looked as if it had been cut out of a glass-and-steel skyscraper. Neon tubes, deck chairs, a swimming pool, staircases and walls made of glass made for a trendy ambience, in which the Venetians took aerobics classes, girls lounged in bikinis, and sailors drank cocktails. Before killing Desdemona, Otello changed into African ...