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"A feast for Baxians everywhere." So opens a 1999 review in Gramophone magazine of a recording of music by Arnold Bax (a recording that even the enthusiastic reviewer admits isn't all "top drawer Bax"). You don't get this kind of writing in America. We don't lavish such loving attention on minor composers, and few among even the most serious music-lovers here would identify so openly as a partisan of a single twentieth-century composer. Bernsteinians everywhere? Coplandites? Coriglianians? It doesn't parse in the vulgate of American music criticism.
English music critics are a breed apart. They are not universally better at what they do than their American counterparts, but across the board, they are better at most things. Their language is livelier, their knowledge both deeper and more lightly …