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Byline: Elisabeth Franck-dumas
Japanese architect Shigeru Ban's designs have acquired a reputation for their winning combination of formal elegance and functionality. Whether at the art gallery fronting Issey Miyake's headquarters in Tokyo or at the Paper Church he built in the rubble of Kobe in 1995, Ban's innovative use of cardboard tubes as building blocks have made him a household name of avant-garde architecture.
With his latest commission-the design of the Pompidou's first offshoot in Metz, France-Ban will get the chance to display his singular creativity and well-known practical streak. But with the temporary office he has built in Paris-a cardboard structure installed on a terrace of the Pompidou-Ban has already displayed his knack for unusual aesthetic solutions.
"I needed a space and a team," Ban says simply, as if this were the most natural thing in the world. "I had a lot of experience with temporary structures, so I thought this would be better than renting an office."
An elongated paper tube that mirrors a previous Ban design for the Hanover Expo, the space boasts a diminutive yet dramatic vaulted ceiling of cardboard arches and round ...