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"Who the hell wants to hear actors talk?" asked Warner Bros.' Harry Warner at the dawn of Hollywood's sound era. The talkie was to be built around music--production numbers, dance specialties, choruses, charm songs, love songs, torch songs, fantasies in ballet, and underscoring for the dramas and comedies.
The actors did talk. But the musical was Hollywood's obsession in the first two years of full sound production, 1929-30. Popular Broadway scores went Hollywood (The Desert Song, Good News!). Straight plays were musicalized (The Gold Diggers as The Gold Diggers of Broadway, the first of countless three-girls-hustle-for-husbands films). Hollywood even turned out ...