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The two live of Marni Nixon: the soprano's stint in Hollywood, ghosting the vocals for the likes of Audrey Hepburn and Natalie Wood, was only one small part of a multifaceted performing career.

Opera News

| October 01, 2004 | Braun, William R. | COPYRIGHT 2004 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

It could be argued that more people have heard Marni Nixon's voice than that of any soprano in history. Although she has a cherishable recording of Debussy songs that recalls the glory days of Maggie Teyte, and she was almost frighteningly accurate in her New York Philharmonic debut of Pierre Boulez's Improvisation sur Mallarme I under Leonard Bernstein, she will always be associated with her movie soundtracks. Albums with Nixon as the voice of Audrey Hepburn in My Fair Lady and the voice of Natalie Wood in West Side Story sold in the multiple millions, with the latter earning a listing in the Guinness Book of Worm Records. Yet not long ago, a contestant on the television ...

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