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An American in Paris: this month. William Christie celebrates his sixtieth birthday and the 300th anniversary of Marc-Antoine Charpentier's death with a tour of the composer's works.(Interview)

Opera News

| February 01, 2004 | Giles, Patrick | COPYRIGHT 2004 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

"I was a musician," wrote Marc-Antoine Charpentier more than three centuries ago. "And since those who scorned me were more numerous than those who praised me, music brought me small honor and great burdens." His glum tone becomes understandable when the slim facts of his life are studied. Although he was one of the most brilliant of all French composers, creator of magnificent sacred music (Te Deum), chamber operas (La Descente d'Orphee aux Enfers) and one grand dramatic work--a Medee at least as blood-chilling as the later version by Cherubini--Charpentier spent his career at the margins of the music world. His contemporary Lully, favorite of Louis XIV, controlled ...

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