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"I was a musician," wrote Marc-Antoine Charpentier more than three centuries ago. "And since those who scorned me were more numerous than those who praised me, music brought me small honor and great burdens." His glum tone becomes understandable when the slim facts of his life are studied. Although he was one of the most brilliant of all French composers, creator of magnificent sacred music (Te Deum), chamber operas (La Descente d'Orphee aux Enfers) and one grand dramatic work--a Medee at least as blood-chilling as the later version by Cherubini--Charpentier spent his career at the margins of the music world. His contemporary Lully, favorite of Louis XIV, controlled ...