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Scholars try to avoid exaggeration: they provide information, cite sources and draw conclusions. Opera houses embrace exaggeration to sell tickets. That's fair enough. Still, some semblance of balance seems appropriate.
More power to the Martina Franca festival for inventing from whole cloth a so-called "Malibran" version of Rossini's Otello last year. They repeated Maria Malibran's effort to induce the public to attend a benefit evening in her honor by singing the title role en travesti, after having performed Desdemona during the rest of the season. But no praise at all for their pretence -- without evidence -- that Rossini had anything to do with it.
And more power to Martina Franca for staging Ivanhoe, a pastiche derived from music by Rossini (first performed at the Theatre de l'Odeon of Paris in 1826), during the summer of 2001. But no praise ...