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"J. S. BACH CANTATAS AND ARIAS".(Ian Bostridge)(Brief Article)(Review)

Opera News

| April 01, 2001 | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Ian Bostridge [] "J. S. BACH CANTATAS AND ARIAS" Europa Galante, Biondi. Texts and translations. Virgin Veritas 45420 2 2

In Bach's Cantata BWV 82, "Ich habe genug," a devastating meditation on mortality, the soloist sums up his wretched existence and confidently welcomes God's embrace in the afterlife. But the music tells another story: the singer stares into an abyss, dark and uncertain. At least, that's Bach's original setting for baritone, with which many a deep-voiced soloist has taken listeners on a gut-wrenching night of the soul.

Bach eventually reworked the cantata twice for lighter voices, and one of these reworkings launches Ian Bostridge's new album. It's a daring choice: predictably, a lot of soul-searching is lost along the way. Any tenor with Bostridge's bright, supple youthfulness will necessarily sound more optimistic than did (for example) the late baritone William Parker, a less gifted artist, but one whose real-life struggles with mortality informed every note. By contrast, Bostridge isn't facing any abyss: he's packing for summer camp.

That's not inappropriate, actually. The text projects such utter confidence ...

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