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FROM AROUND THE WORLD: BOSTON.(Review)

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| February 01, 2001 | WEISGALL, DEBORAH | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Boston Baroque presented a polished, semi-staged production of Monteverdi's L'Incoronazione di Poppea (seen Oct. 27). Music director Martin Pearlman prepared his own performance version from Monteverdi's incomplete manuscripts; the result was a beautifully balanced, coherent and dramatically persuasive account. The superb cast combined some of Boston's most accomplished singers with brilliant newcomers; under Pearlman's baton, they worked beautifully as an ensemble.

The greatness of L'Incoronazione lies in the complexity of Monteverdi's characterizations. In the title role, Judith Lovat was simultaneously steely and yielding, besotted and calculating. Mezzo Deanne Meek sang Nero with virtuosity, a winning swagger and chilling casual brutality. With his gorgeous, expressive voice, countertenor Bejun Mehta made a deeply ...

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