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Eiko on Stage.(Review)(Brief Article)

Opera News

| January 01, 2001 | WALLACE CAROL MCD. | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Eiko on Stage

by Eiko Ishioka Callaway Books, 224 pp. $90

At first glance, Eiko on Stage looks like egotism turned loose in an indulgent publisher's office. Who would spend almost $100 on a coffee-table book of set and costume designs, even those of this renowned Japanese designer? Yet the most cursory second glance at the cover image -- the seamed red-leather armor worn by Jennifer Lopez in The Cell -- suggests that perhaps Eiko's work really merits the treatment. A follow-up riffle through the stiff, hand-stitched pages confirms that no production expense was spared, and furthermore that the money was well spent. In fact, the book is ravishing.

The format is simple: explanatory text and photographs of nine projects that range from a multimedia art installation at the Walker Art Center in Minneapolis to the costumes for the film Bram Stoker's Dracula. Unpretentious first-person narrative explains the designer's involvement in each project -- from stage direction to production design -- and how she approached each challenge. Reading between the lines, one gets the impression that she is visionary, demanding, sometimes impractical. For M. Butterfly, for instance, she designed a kimono embroidered with thirty different shades of gold thread. A large, tack-sharp photograph, ...

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