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FROM AROUND THE WORLD: MILWAUKEE.(Review)

Opera News

| January 01, 2001 | SINGER, LAWRENCE | COPYRIGHT 2001 Metropolitan Opera Guild, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Floyd Collins is a startlingly powerful work, based on a true story and masterfully shaped into an engrossing musical by composer-librettist Adam Guettel. Under the superb stage direction of Paul Barnes, Skylight Opera Theatre has made it a profound theatrical experience, the opening offering of their highly eclectic season.

In 1925, cave explorer Floyd Collins became trapped underground while searching for a cavern he could develop into a profitable tourist attraction. The story of Collins's plight dominated the national news for weeks, while the cave site became the first media circus. The story reveals the best and worst of human nature, as the Collins family tries to cope with the impending tragedy, and outsiders come to help and gawk.

Guettel's music is highly rhythmic and original, yet it clearly draws on folk, bluegrass and Broadway styles (think Sondheim). The score ranges from a reverberant cave echo, used in a very haunting and evocative way, to a tongue-tangling patter song for three song-and-dance men (brash newspaper reporters) and a gentle, touching solo scene for Floyd's sister.

Skylight's casting was inspired: everyone on the stage was passionate and effective. Tony Clements, as Floyd Collins, was onstage throughout as a strong, winning, central presence around whom the story ...

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