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Jessye Norman, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau [] "ERLKONIG: THE ART OF THE LIED" Songs by Schubert, Schumann, Brahms. With Moore, Demus, Giesen, Gage, Eschenbach, Barenboim, piano. Texts and translations. Exhaustive CD-ROM annotation. DG 445 188-2
The title of this set is confusing; Schubert's "Erlkonig" is just the opening song in a collection of twenty-eight disparities. The subtitle may be a bit too broad for comfort; "Lieder's Greatest Hits" might have been closer to the mark. The billing on the cover is unfair; Dietrich Fischer-Dieskau sings first and is heard in nine other selections, yet Jessye Norman, who sings last and less, gets top honors. The annotation is skimpy.
But the singing, for the most part, is illuminating. Fischer-Dieskau, captured at his ultra-sensitive best between 1959 and 1976, reminds us how and why he created a whole generation of fine, introspective baritone emulators. Fritz Wunderlich, represented by recordings made just months before his untimely death in 1966, capitalizes on uncanny ...