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In this issue, as has been our practice for the past three Decembers, we offer our readers a Special Section on art. This is over and above our usual coverage of the visual arts, which, though a regular feature, may still be described as "special" in its breadth and quality. Readers will find illuminating reviews of Aristide Maillol's sculpture (by Karen Wilkin), the painting of Romare Bearden (Eric Gibson), the objets of the Aztecs (by Peter Pettus), and the near-collaborations of Joan Miro and Alexander Calder (by James Panero). In addition, there is a conversation about art between the figurative painter Philip Pearlstein and the poet David Yezzi, an essay about taste ...