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Compressed narratives, minute actions. (Art).(Column)

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| March 01, 2002 | Kunitz, Daniel | COPYRIGHT 2002 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In the hands of Picasso and Braque--the first to employ it as artistic technique--collage was a formal means of exploring and testing the limits of two-dimensionality in painting. For the Surrealists, it was, in the words of T. G. Nguyen, "a creative strategy" like the cadavre exquis, a key to unlocking the subconscious and a method of frustrating rational meaning. Because their interests were primarily epistemological--what the clash of disparate elements might mean--the Surrealists' use of collage tended to result in jangling narrative pictures enlivened by visual puns and jokes. They came to collage by way of Dada rather than Cubism. To formalist Moderns of the ...

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Source: HighBeam Research, Compressed narratives, minute actions. (Art).(Column)

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