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<a href="http://www.accessmylibrary.com/coms2/summary_0286-48478_ITM" title="Facts and information about Petipaw. (Dance).(George Balanchine)(Column)">Petipaw. (Dance).(George Balanchine)(Column)</a>
Petipaw. (Dance).(George Balanchine)(Column)
New Criterion
|
March 01, 2002 |
Jacobs, Laura |
COPYRIGHT 2002 Foundation for Cultural Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright
In his New York apartment, George Balanchine had an Audubon print of a bald eagle. It was in his living room; you can see it in the famous photographs of Balanchine playing with his cat Mourka. In these photos the cat is in the air, fully stretched yet twisting in the middle, utterly rapt yet strangely relaxed--not unlike Fred Astaire snapped between steps. Balanchine is often crouched lower than the cat, urging it on, as if coaching a dancer in a complicated jete en tournant. Behind them, perched in profile, is the eagle. It is a wonderful trio--cat, raptor, choreographer--all three evolved in the same direction, with the same physiological assets: sharp eyes that miss ...
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Source: HighBeam Research, Petipaw. (Dance).(George Balanchine)(Column)